Journal of the stylistic of Persian poem and prose
volume Number 13، number In Volume 9، Desember 2020 ، issue Number 55

A study of the stylistics of Emad Khorasani's poems

Ali Akbar Ojakeh (Author in Charge)

Abstract

Emad Khorasani is one of the anonymous contemporary poets who, unfortunately, has not been properly researched. Half of his poems are lyric poems that appear in the first volume of his divan. In Ghazalsarai, he is a follower of the poets of Ghazalsara in the past, especially Saadi and Hafez. His lyric poems are romantic and use less philosophical and social themes. But in the second volume of the Divan (other formats) he has turned to social and critical themes.

In this library-style article, the stylistic features of his poems are examined at three levels: intellectual, linguistic, and literary. The results of the research show that throughout his poems, especially his lyric poems, happy weights, along with sad and heavy weights, are quite effective in creating suitable lyrical spaces. Emad"s language is simple, fluent and understandable in his poems and is far from artificial and complex. The use of words in the ancient sense and the use of old verbs, especially in his lyric poems, is remarkable. In other formats (Vol. II) he has used slang and modern words.

Emad uses some syntactic features of Khorasani style with high frequency, such as: displacement of sentence elements, pronoun mutation, etc. In terms of literary features, metaphor and metaphor have many frequencies in his poems. The metaphors of his poems are generally stereotyped and close, and the current allusions and ima are more frequent than other allusions. Insinuation and ambiguity are also more common among innovative industries than other innovative industries.

Keyword
stylistics , Emad Khorasani , literary features , intellectual features

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